Ants cause Xtain angst at Smithsonian

Art or Hate Speech? Video of Ants Crawling on Crucifix Pulled from Smithsonian

I well remember the war against the NEA, waged by the Religious Right against a number of artists (such as Karen Finley) in the 1990's. Well, it seems like old times as an outcry over an exhibit at the Smithsonian Institution has resulted in the artwork being pulled from display:

...A provocative video depicting ants crawling over a likeness of Jesus on a crucifix has been pulled from the Smithsonian's National Portrait Gallery...The video drew sharp criticism from conservative groups following publication of a CNS news service article Monday with the headline: "Smithsonian Christmas-Season Exhibit Features Ant-Covered Jesus, Naked Brothers Kissing, Genitalia, and Ellen DeGeneres Grabbing Her Breasts."

Wow, they sure saved the best for last! But is Ellen grabbing her own breasts, or those of her S/O's? But anyway:

...Several Republican leaders, including incoming House Speaker John Boehner and Majority Leader Eric Cantor, have said they will examine taxpayer funding for the Smithsonian in the wake of the controversial display.

People have been wondering how the new Republican majority in the House will be flexing its muscles. I think this is a good indication.

Going to Babylon

Beyond Babylon

This weekend I'm visiting the Metropolitan Museum of Art with a number of our Coven members. I'm particularly excited about the "Beyond Babylon" exhibit. There was a good review of it in the NYTimes entitled "Global Exchange, Early Version". From the article, something I'm really looking forward to seeing:

"...a ceramic goddess with wings and talons for feet is an exuberant arrival from cultural sources unknown...Referred to by archaeologists as “The Queen of the Night,” she is so hybrid a creation that she was at one time labeled a fake. She is now considered authentic, but authentically what is the question..."

A good portion of the exhibit focus on the remarkable artifacts recovered from a ship wreck:

...For a truly cornucopian example of multiculturalism, though, nothing matches the contents of the Late Bronze Age merchant ship recovered from the sea off the southern coast of Turkey...it probably sank around 1300 B.C., packed with cargo representing a dozen cultures, from Nubia to the Balkans...Although the ship’s home port is unknown, it appears to have traveled a circular route through the Mediterranean and Aegean, stopping in Greece, Crete, Turkey, Syria and Egypt, picking up and unloading as it went. Bulk materials included copper ingots, Cypriot pottery, African wood and Near Eastern textiles, all for waiting markets...Divers also found luxury items, possibly personal possessions of the ship’s crew and passengers. Examples of ivory containers in the form of ducks have parallels with Egyptian prototypes, but were probably made in Mediterranean Asia. The two sources merge in a figure found in a tomb: a nude female swimmer with a chic, Nile-style pageboy who is hitching a ride behind an ivory-headed bird...

Follow the link for the NYTimes article for a pic of the swimmer and her bird friend.

Changing Museum Policies

How Did That Vase Wind Up in the Metropolitan?

I've blogged before about the repatriation of pilfered artifacts . Today there's an Opinion piece in NYTimes by Sharon Waxman, who is the author of “Loot: The Battle Over the Stolen Treasures of the Ancient World.”. It seems the new director of the MET (Thomas Campbell) has the opportunity (according to Sharon Waxman) to set a new course when dealing with artifacts of dubious origin. New guidelines are being issued by and association of museums:

...This past summer, the association finally issued new guidelines, which recognize that buying unprovenanced antiquities encourages their illicit trade and recommend that its members purchase only antiquities that can be proven to have been legally exported after 1970, or else removed from their country of origin before that date. (It was in 1970 that Unesco adopted an international convention barring the illegal export and transfer of cultural property....

Sharon Waxman continues:

...The Metropolitan needs to come clean about its past of appropriation of ancient art in the late 19th and early 20th centuries. And it needs to tell a much fuller story about its more recent role in purchasing looted and smuggled antiquities...

She feels the new director of the MET, Thomas Campbell, can:

...inaugurate a new era of transparency for all museums, and to recalibrate the Met’s relations with countries that feel aggrieved...By publicly acknowledging the controversial or otherwise dubious histories of some artifacts and by making the recent past as much a part of the artifacts’ stories as the ancient past, Mr. Campbell can set an example for all museums and build new bridges of respect and cooperation...Transparency may not end every demand for repatriation. But it will disarm those critics in source countries who know — but rarely acknowledge — that regardless of past transgressions, their treasures may be safer, better preserved and more widely adored in the world’s great museums like the Met...